Método: Música de las Américas para fagot
Techniques,
Etudes,
Melodies, and Excerpts from the Americas and Beyond
Version 1.0
| Lesson Number (select link) |
Country of Melodies | Genre of Melodies | Techniques or Concepts | Excerpts (Various Countries) |
| 1 | Brasil | [“Direcciones” de Tabuteau | Notas nuevas hasta Do5] | Beethoven, Symphony 4, IV; Gomes, Lo Schiavo; Alvorada | |
| 2 | México | Posiciones de la embocadura: paralela y desplazada; Transposicion desde Si bemol utilizando la clave de Do ; Caja de herramientas | Mozart, Symphony 35, Villa-Lobos, Chôros No. 3, Pica-Páo | |
| 3 | EE. UU. | Espiritual | Sprints, Transposición de clave de sol | Beethoven, Symphony 4, IV; Stravinsky, The Firebird, Berceuse, Beethoven, Quintet |
| 4 | Argentina | Lento-Rápido-Preciso | Beethoven, Symphony 4, IV; Gomes, Il Guarny, Sinfonia | |
| 5 | Cuba | Triple Staccato para fagot | Strauss, Die Fledermaus Overture; Mozart Così fan tutte; Bach, BWV 155; Haydn, Symphony 6, III. | |
| 6 | Varios | Tocando pianissimo | Beethoven, Coriolan Overture, Tchaikovsky, Symphony 6, I; Wagner, Tannhäuser Overture; Brahms Violin Concerto; Tchaikovsky, Symphony 2; Tchaikovsky, Nutcracker; Stravinsky, Rite of Spring. | |
| 7 | Varios | Adviento & Navidad | Desplazamiento del pulso | Beethoven, Symphony 4, IV; Bach, Christmas Oratorio, No. 1 Coro. |
| 8 | EE. UU. | Transposicion desde Si bemol utilizando la clave de Do | Beethoven, Symphony 4, IV; Sousa, The Liberty Bell March; Mendelssohn, Mid-Summer Night's Dream | |
| 9 | México | Parada Dura, Parada Blanda: diminuendo de lengua (tecnica para practicar) | Ponce, Sonata for Violoncello, I; Mendelssohn, Symphony No. 4, I. | |
| 10 | Argentina | Variedad de longitud en articulación | Gomes, Joana de Flandres, Prelúdio. Mozart, Piano Concerto 25 | |
| 11 | Varios | Componentes; Trinos | Rossini, La Gazza Ladra; Da Silva, National Anthem, Brazil; Mozart, Quintet in Eb; Berlioz, Symphonie fantastique, V. | |
| 12 | Varios | Aplicaciones dele Rubato | Rimsky-Korsakov, Scheherezade; Maurice Ravel, Alborada del gracioso. Büsser, Récit et Thème varié | |
| 13 | Cuba | Divisiones
de 3, 4 y 6 |
Strauss, Don Quixote; Handel, Ode for St. Cecilia's Day | |
| 14 | Venezuela/France | Divisiones varias | Hahn, Quintette; Donizetti, L'elisir d'amore, Romanza; J. S. Bach, Mass. | |
| 15 | Varios | Fluidez en el Registro Agudo | Jose Rene Moreno, Mi Viejo Santa Cruz; Prokofiev, Peter and the Wolf; Teresa Carreño, Streichquartett in h-Moll | |
| 16 | México | Ligaduras descendentes | Poulenc, Sonata for Clarinet and Bassoon; Ponce, Sonata for Violoncello, I.; Manookian, Aires de Yucatán | |
| 17 | Argentina | Bordaduras | Berlioz, Symphonie fantastique; Carlos Gomes, Joanna de Flandres | |
| 18 | EE. UU. | Rags, Ragtime | Fragmentation-Concatenation | Tchaikovsky 5th Symphony, 3rd Mov.; Beethoven 4, 4th mov.; Verdi, Requiem, Quid Sum Miser; Stravinsky, Pulchinella Suite; Leshnoff, Double Concerto |
| 19 | Brasil | El uso del monótono en el fraseo | Tchaikovsky,
Symphony No. 4, II; Stravinsky, Symphony for Wind Instruments. |
|
| 20 | Varios | Cadenzas | Cadenzas | W. A. Mozart, Symphony 41, IV; Ravel, Rhapsodie Espagnole |
Método:
Música de las
Américas para fagot | Método: Music of the
Americas for Bassoon © 2023-2026 by Terry
B. Ewell
is licensed under CC BY-NC-SA 4.0. To view a copy of this license,
visit https://creativecommons.org/licenses/by-nc-sa/4.0/