Método: Música de las Américas para fagot
Técnicas, estudios, melodías y extractos de las Américas y más allá
| Lecciones | Country of Melodies | Genre of Melodies | Techniques or Concepts | Excerpts (Various Countries) |
| Mod 3-1 | Cinco componentes | |||
| 1 | Various | Tabuteau's "Drives"; Vibrato; Tenor Clef | Mahler, Symphony 1, mvt. 1. | |
| 2 | Various | Double tonguing, slurring downward | Beach, Pastorale for Woodwind Quintet | |
| 3 | USA | Sacred Harp | Mixed Divisions of 2 and 3 | Reicha, Quintet in Eb; Brahms, Symphony 1 |
| 4 | Mexico | Sprints with Mixed Tonguing | Ponce, Chapultepec; Brahms, Violin Concerto, 2nd Mov. | |
| 5 | Brazil | Alternate F#2, Syncopations with 16th and 8th Notes | Wagner, Tannhäuser und der Sängerkrieg auf Wartburg Overture | |
| 6 | USA and Canada | Spirituals | Rubato Drives | Ewell, "Adam" from Paradise Lost |
| 7 | Various | Advent & Christmas | El uso del monótono en el fraseo | Handel, Messiah, Halleluyah Chorus |
| 8 | Various | Articulation Sprints | Beach, Gaelic Symphony; Dukas, Sorcerer’s Apprentice | |
| 9 | USA | Cowboy Songs | Up Tempo Melodies, Off Beats | Mozart, Bassoon Concerto, 2nd Mov.; Beethoven, Violin Concerto |
| 10 | USA | Folk Songs | 2-5 Articulation, 5/4 Meter | Vivaldi, A Minor Concerto, RV 497; Sousa, Stars and Stripes Forever; Beethoven, Symphony 6, I.; Beethoven, Symphony 9, II. |
| 11 | Various | Trill Components | Beethoven, 1st Symphony, 4th mov.; Bizet, Carmen, Entr'acte | |
| 12 | Argentina | Divisions of 2 and 3 | Gomes, Ao Ceará livre! Grieg, Peer Gynt Suite No.1, IV. | |
| 13 | USA | Tin Pan Alley | Beat Displacement, Monotones | Beethoven, 1st Symphony, 4th mov., Mozart, Piano Concerto No. 20, 1st mov.; Sambucetti, Tarantella |
| 14 | Mexico | Articulation Sprints, Showing Groupings of 2 and 3 | Beethoven, 4th Symphony, 4th mov.; Ramírez Santillán, Concierto a Dios; Stravinsky, Firebird Suite, Berceuse. | |
| 15 | Various | End-Beginning Practice Method, 32nds in Rhythms, Triplet Pickups | Mozart, Marriage of Figaro Overture; Dance of the Yao People | |
| 16 | Cuba | More End-Beginning Practicing, 32nds in Rhythms | Beethoven, 1st Symphony, 4th mov., Mozart, Marriage of Figaro Overture; Beach, Gaelic Symphony, 3rd Mov., Mozart, Symphony 41 | |
| 17 | Brazil | Long and Short Beat Markings, Musical Motion Using Articulation | Beethoven, 4th Symphony, 4th mov.; Mozart, Marriage of Figaro Overture; Brahms, Variations on a Theme by Haydn;; Rimsky-Korsakov,Scheherzade II. | |
| 18 | USA and Canada | 5 2 4 2 Articulation | Vivaldi, A Minor Concerto, RV 497; Weber, Der Freischütz; Beethoven, Symphony 9, IV; Coleridge-Taylor, Variations on an African Air | |
| 19 | Peru | More Music with Tenor Clef | Alzedo, Missa de Requiem; Brahms, Variations on a Theme by Haydn | |
| 20 | Various | Performance Suggestions for the “New World" Symphony | Dvořák, New World Symphony |
Método: Música de las
Américas para fagot | Método: Music of the Americas for Bassoon © 2023-2025 by Terry B. Ewell
is licensed under CC BY-NC-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc-sa/4.0/